In Light Preserved, through the manipulation of light and film, emerging Canberra based artist Chloe Gray explores the space where light exists but cannot be touched. Working not in-camera but in the darkroom, Gray uses a complex analogue process of projecting multiple ‘layers’ of light onto film to create abstract imagery. Driven to further develop the idea that a photographic image can be made not taken, Gray’s prints are not of something, but are something unto themselves.